Style recipe for Suno v5
Funk
Classic funk from the 1960s: chicken-scratch guitar chank, punching tenor sax, baritone sax honk, raw and swaggering in feel. A name-free Suno recipe that reproduces the signature sound without tripping the artist-name filter.
History
Funk came out of African-American communities in the mid-1960s, when musicians mixed the soul, rhythm and blues and jazz around them into something built almost entirely on rhythm. James Brown set the template: a groove that hits hard on the first beat of every bar, known as The One, with syncopated sixteenth notes laid across bass, drums and guitar. His Papa's Got a Brand New Bag from 1965 counts among the first funk records. Melody and chord changes step back. A song can sit on one or two chords while the electric bass carries the hook, the guitar chops out rhythm, often through a wah-wah pedal, and the rests between notes matter as much as the notes. Larry Graham is usually credited with inventing slap bass. Before it named a music, funk meant a strong smell; among Black musicians it took on a proud sense, the sweat of hard and honest playing. Sly and the Family Stone and George Clinton's Parliament-Funkadelic pushed the sound toward rock and psychedelia, Herbie Hancock's Head Hunters carried it into jazz, and later offshoots run from go-go and G-funk to the breakbeats that hip-hop sampled over and over.
The recipe
Opening the recipe…
Tag breakdown
Every descriptor in this style, listed one at a time.
| # | Tag |
|---|---|
| 1 | Classic funk |
| 2 | 1960s |
| 3 | raw |
| 4 | swaggering |
| 5 | aggressive |
| 6 | chicken-scratch guitar chank |
| 7 | punching tenor sax |
| 8 | baritone sax honk |
| 9 | clipped trumpet stabs |
| 10 | dry snare crack |
| 11 | popping electric bass |
| 12 | tight hi-hat chick |
| 13 | locked riff vamp |
| 14 | horn section hits |
| 15 | male lead vocal |
| 16 | raspy gritty |
| 17 | high chest |
| 18 | sweating bandleader |
| 19 | shouted call phrases |
| 20 | grunted rhythmic stabs |
| 21 | gritty half-screamed hooks |
| 22 | mono tape punch |
| 23 | room mic bleed |
| 24 | hot console saturation |
| 25 | midrange horn bite |
| 26 | dry tight ensemble |
| 27 | punchy horn stack |
| 28 | small live studio |
| 29 | close dead room |
| 30 | hard downbeat accent |
| 31 | syncopated sixteenth chank |
| 32 | break to drums |
| 33 | band stop punctuation |
| 34 | shouted cue change |
| 35 | warm characterful mix |
| 36 | 108 BPM |
| 37 | for the dancefloor |
Every descriptor here adds up to 37 tags and 688 characters from the 1960s, clocking in at 100–116 BPM.
Artists in this style
- Maroon 5
- Ice Cube
- Jonas Brothers
- The Jackson 5
- James Brown
- Prince
- Janet Jackson
- Duran Duran
- Earth, Wind & Fire
- Fatboy Slim
- Tim Maia
- Diana Ross
- Kool & the Gang
- OutKast
- The Jacksons
- Red Velvet
- Jorge Ben Jor
- Jungkook
- The Isley Brothers
- Talking Heads
- Herbie Hancock
- NSYNC
- Steve Lacy
- Jungle
- Anderson .Paak
- Silk Sonic
- E-40
- Curtis Mayfield
- Thomas Rhett
- Purple Disco Machine
- L'Impératrice
- D'Angelo
- Too $hort
- Janelle Monáe
- Rick James
- Level 42
- Khruangbin
- Shalamar
- Fred Hammond
- DJ Quik
- The Internet
- MONATIK
- Manu Dibango
- The Gap Band
- Nina Hagen
- Death Angel
- Mack 10
- Spin Doctors
- Living Colour
- Luniz
- Parliament
- The Brothers Johnson
- WC
- Roy Ayers
- Average White Band
- Rose Royce
- Spice 1
- Asha Bhosle
- Bootsy Collins
- Trapt
- The Commodores
- Ohio Players
- Tower of Power
- Zapp
- Suga Free
- The J.B.'s
- The Meters
- The S.O.S. Band
- Ornette Coleman & Prime Time
- Gang of Four
- Con Funk Shun
- Fishbone
- Rufus
- UGK
- Blackalicious
- Люся Чеботина
- Mtume
- Juan Atkins
- Kokane
- Urban Dance Squad
- Above the Law
- Slowboy
- The Time
- Slave
- Orlando Julius
- The Wiseguys
- Luke Slater
- Sly and the Family Stone
- Overseer
- Deize Tigrona
- Лигалайз
- Electric Boys
- 24-7 Spyz late
- 24-7 Spyz
- The Rance Allen Group
- Отпетые мошенники
- Defunkt
- James Blood Ulmer
- Dennis Coffey
- Веселые ребята
- James Chance and the Contortions
- Mustafa Özkent
- А'Студио
- War
- Верасы
- Morris Day and the Time
- Brides of Funkenstein
Substyles
- Baile Funk2000s · 125–135 BPM
- Funk Carioca2000s · 125–135 BPM
- G-funk1990s · 90–100 BPM
- Afro-Funk1970s · 100–120 BPM
- Electro-Funk1980s · 110–125 BPM
- Funk Metal1990s · 100–130 BPM
- Funk rock1990s · 90–130 BPM
- Jazz Funk1970s · 100–130 BPM
- Liquid Funk2000s · 172–176 BPM
- Future Funk2010s · 110–130 BPM
- Brit-Funk1980s · 105–120 BPM
- Deep Funk1970s · 95–115 BPM