Style recipe for Suno v5
Quiet Storm
Quiet storm from the 1980s: smooth soprano sax, digital electric piano, soft synth pad, seductive and warm in feel. A name-free Suno recipe that reproduces the signature sound without tripping the artist-name filter.
History
Quiet storm was a late-night radio show before it was a sound. In June 1976 Melvin Lindsey, a Howard University student interning at WHUR-FM in Washington, D.C., filled in for an absent DJ with his classmate Jack Shuler and played old, slow romantic records by black artists of the 1950s, 60s and 70s. Listeners responded, station manager Cathy Hughes gave the pair their own show, and it took its name and nightly theme from the title track of Smokey Robinson's 1975 album A Quiet Storm. The music is smooth, jazz-tinged R&B: slow jams, soft grooves, intimate lyrics and almost no politics. Lindsey liked to slip a Sarah Vaughan ballad between newer songs. Within a few years nearly every American station with a black urban audience ran a similar late slot, and KBLX in the Bay Area went quiet storm around the clock in 1979. Critics argue the format let singers like Luther Vandross push against the usual codes of male sexuality. Lindsey's salary climbed from $12,000 in 1977 to over $100,000 in 1985. The format peaked in the 1980s, lost young listeners to hip hop, and still owns late-night hours on many stations.
The recipe
Opening the recipe…
Tag breakdown
Every descriptor in this style, listed one at a time.
| # | Tag |
|---|---|
| 1 | Quiet storm |
| 2 | 1980s |
| 3 | seductive |
| 4 | warm |
| 5 | intimate |
| 6 | smooth soprano sax |
| 7 | digital electric piano |
| 8 | soft synth pad |
| 9 | fretless bass |
| 10 | brushed drums |
| 11 | chorused clean guitar |
| 12 | vibraphone accents |
| 13 | sax solos freely |
| 14 | bass glides fretless |
| 15 | mixed male–female lead vocal |
| 16 | velvet and airy |
| 17 | low mid |
| 18 | late night confidant |
| 19 | silky croon |
| 20 | breathy phrasing |
| 21 | whispered asides |
| 22 | mellow rounded mix |
| 23 | lush plate reverb |
| 24 | chorus on everything |
| 25 | vocal close forward |
| 26 | sparse and roomy |
| 27 | sax answers voice |
| 28 | dark wide reverb |
| 29 | intimate front field |
| 30 | slow rimshot sway |
| 31 | fretless slides between |
| 32 | near whisper verses |
| 33 | chorus opens slightly |
| 34 | sax carries outro |
| 35 | polished professional master |
| 36 | wide dimensional stereo |
| 37 | 73 BPM |
| 38 | for romance |
Every descriptor here adds up to 38 tags and 687 characters from the 1980s, clocking in at 60–85 BPM.