Style recipe for Suno v5
Rock in Opposition
Avant prog rock from the 1980s: bassoon, detuned piano, angular guitar, menacing and theatrical in feel. A name-free Suno recipe that reproduces the signature sound without tripping the artist-name filter.
History
Rock in Opposition started as a protest against the music industry. Henry Cow had lost their Virgin contract once the label saw the band would not turn a profit. In March 1978 they brought four mainland European groups the business ignored just as thoroughly to London for a festival billed as the music the record companies don't want you to hear. On 12 March, at the New London Theatre, Henry Cow played alongside Stormy Six from Italy, Samla Mammas Manna from Sweden, Univers Zero from Belgium and Etron Fou Leloublan from France. The bands then formed a closed collective and admitted Art Zoyd, Art Bears and Aksak Maboul, but after a second festival in Milan in 1979 they disagreed over its role, and by the end of the year the organisation had quietly slipped away. Chris Cutler's label Recommended Records carried the idea on. The bands sounded nothing alike, yet listeners and distributors turned RIO into a tag for avant-garde progressive rock, close kin to avant-prog. Since 2007 a revived RIO festival in Carmaux, France, has booked the likes of Magma, Present and Univers Zero, and in 2014 it spread to Tokyo.
The recipe
Opening the recipe…
Tag breakdown
Every descriptor in this style, listed one at a time.
| # | Tag |
|---|---|
| 1 | Avant prog rock |
| 2 | 1980s |
| 3 | menacing |
| 4 | theatrical |
| 5 | raw |
| 6 | bassoon |
| 7 | detuned piano |
| 8 | angular guitar |
| 9 | clarinet |
| 10 | hand percussion |
| 11 | bowed cello |
| 12 | prepared piano |
| 13 | through composed sections |
| 14 | staccato unison stabs |
| 15 | mixed male–female lead vocal |
| 16 | stark unvibrato tone |
| 17 | wide leaping range |
| 18 | stern narrator |
| 19 | declamatory vocals |
| 20 | sprechgesang recitation |
| 21 | jagged leaps |
| 22 | dry mix |
| 23 | live room |
| 24 | close mic woodwinds |
| 25 | no reverb wash |
| 26 | chamber reed clusters |
| 27 | dissonant counterlines |
| 28 | bone dry room |
| 29 | instruments spread wide |
| 30 | odd meter lurches |
| 31 | abrupt tempo cuts |
| 32 | sudden full stops |
| 33 | whispered reed passages |
| 34 | crashing tutti climaxes |
| 35 | polished professional master |
| 36 | wide dimensional stereo |
| 37 | 115 BPM |
| 38 | for focus |
Count them: 38 tags, 668 characters, straight from the 1980s at 80–150 BPM.