Style recipe for Suno v5

Modal Jazz

Modal jazz from the 1960s: open voiced piano, modal sax, upright bass, dreamy and spacious in feel. A name-free Suno recipe that reproduces the signature sound without tripping the artist-name filter.

History

Modal jazz traded the chord sheet for a scale. In bebop and hard bop the soloist ran over a fixed, repeating progression, and by the 1950s some sidemen arrived at recording dates with nothing but a list of chords. Toward the end of that decade, spurred by George Russell's experiments, players began building pieces on modes instead, with one chord sometimes held for four to sixteen bars. Miles Davis made the case with Kind of Blue, and credited Bill Evans with a key part in the shift. So What sits in D Dorian for its A sections and slides a half step up to E-flat Dorian for the B section. John Coltrane used the same frame for Impressions, then pushed modal improvisation further than anyone, up to A Love Supreme and Meditations. The idea had older roots: Mercer Ellington said Juan Tizol's 1936 melody for Caravan grew out of an inversion exercise from his student days in Puerto Rico, where sheet music was scarce. The title tune of Herbie Hancock's 1965 album Maiden Voyage became one of the best-known modal pieces, and a generation of mostly tenor saxophonists, Michael Brecker among them, carried Coltrane's modal language into fusion.

The recipe

Modal jazz, 1960s, dreamy, spacious, int…

A 33-tag, 543-character recipe carrying an instrumental vocal, set to 100–150 BPM.

Artists in this style

• Miles Davis
• John Coltrane
• Pedro Iturralde

Similar styles

• Free Jazz1960s · 60–260 BPM
• Baroque Jazz1960s · 90–140 BPM
• Cool Jazz1950s · 80–130 BPM
• Lounge Jazz1960s · 80–120 BPM
• Flamenco Jazz1990s · 110–170 BPM
• Soul Jazz1960s · 90–130 BPM
• Instrumental jazz1960s · 120–180 BPM
• Bossa Nova Jazz1960s · 110–140 BPM