Style recipe for Suno v5

Latin Jazz

Latin jazz from the 1950s: congas, montuno piano, brass stabs, euphoric and swaggering in feel. A name-free Suno recipe that reproduces the signature sound without tripping the artist-name filter.

History

Latin jazz is jazz played on Latin American rhythms, and it splits into two families: Afro-Cuban jazz, built on Cuban dance music and the clave, and Afro-Brazilian jazz, which takes in samba and bossa nova. The Cuban thread runs back to the birth of jazz. African American music picked up the habanera rhythm in the 19th century, Jelly Roll Morton called it the Spanish tinge and said jazz would lack the right seasoning without it, and W. C. Handy put a habanera bass line into “St. Louis Blues” in 1914. The first tune built openly on clave was “Tanga”, which Mario Bauzá composed in 1943 and Machito and his Afro-Cubans recorded the same year; the title is an African word for marijuana. Bauzá then introduced Dizzy Gillespie to the conga player Chano Pozo, and in 1947 the two wrote “Manteca”, the first jazz standard rhythmically based on clave. Machito's band also broke the under-four-minute format of Latin records with ten- and fifteen-minute jams, and, as Bauzá's drummer Bobby Sanabria points out, explored modal harmony long before Miles Davis and Gil Evans. Later landmarks include Mongo Santamaría's “Watermelon Man”, recorded in 1962.

The recipe

Latin jazz, 1950s, euphoric, swaggering…

38 tags and 628 characters go into this recipe, prompted in English and shaped by the 1950s.

Artists in this style

• Tito Puente
• Eddie Palmieri
• Vaya Con Dios
• Charlie Byrd
• João Donato
• Masters at Work
• Chano Domínguez

Similar styles

• Bossa Nova Jazz1960s · 110–140 BPM
• Salsa Jazz1970s · 150–200 BPM
• Samba Jazz1960s · 130–180 BPM
• Flamenco Jazz1990s · 110–170 BPM
• Progressive Jazz1950s · 110–180 BPM
• Bulawayo Jazz1950s · 110–150 BPM
• Blues Jazz1950s · 70–120 BPM
• Bossa Nova1960s · 120–140 BPM