Style recipe for Suno v5
Goregrind
Goregrind blast metal from the 1990s: blast beats, detuned guitars, pitch shifter box, menacing and raw in feel. A name-free Suno recipe that reproduces the signature sound without tripping the artist-name filter.
History
Goregrind fused grindcore with death metal in the late 1980s, and the band most often credited with it is Carcass from Britain, whose Reek of Putrefaction and Symphonies of Sickness set the template, with Repulsion's Horrified and Impetigo's Ultimo Mondo Cannibale as early companions. On Reek of Putrefaction Carcass used pitch shifters, medical imagery and visceral associations, and all three became the genre's calling card. The sound is detuned guitars, blasting drums, sometimes a snare tuned so high it clangs like a biscuit tin, and vocals pushed extremely low or pitch-shifted and heavily processed. Musically it sits close to grindcore; the difference, as Dead Infection drummer Cyjan put it, is that grindcore cares about society and politics while goregrind deals with blood, pathology and fatal accidents. The humor is deliberate: cartoonish splatter covers and song titles like Nice to Eat You tell listeners not to take it seriously, and the medical jargon of later bands earned it the nickname medicore. In the United States, Impaled, Exhumed and The Meat Shits followed the founders, Sanity's Dawn from Germany and Last Days of Humanity from the Netherlands led the modern wave, and offshoots include pornogrind and the drum-machine blur of gorenoise.
The recipe
Opening the recipe…
Tag breakdown
Every descriptor in this style, listed one at a time.
| # | Tag |
|---|---|
| 1 | Goregrind blast metal |
| 2 | 1990s |
| 3 | menacing |
| 4 | raw |
| 5 | aggressive |
| 6 | blast beats |
| 7 | detuned guitars |
| 8 | pitch shifter box |
| 9 | rumbling bass |
| 10 | short bursts |
| 11 | snare rolls |
| 12 | buzzsaw guitar tone |
| 13 | two riff songs |
| 14 | tremolo into chug |
| 15 | male lead vocal |
| 16 | wet bubbling gurgle |
| 17 | below pitch |
| 18 | inhuman burble |
| 19 | pitch shifted gurgles |
| 20 | vomit growls |
| 21 | inhaled squeals |
| 22 | murky mix |
| 23 | distorted lows |
| 24 | clipped drum bus |
| 25 | rehearsal room grit |
| 26 | everything smeared together |
| 27 | vocals under drums |
| 28 | no depth crush |
| 29 | tiny dead room |
| 30 | relentless blast sprint |
| 31 | abrupt stop endings |
| 32 | tracks under minute |
| 33 | sudden full stops |
| 34 | midtempo grind break |
| 35 | polished professional master |
| 36 | wide dimensional stereo |
| 37 | 260 BPM |
| 38 | for street tracks |
The prompt behind this style packs 38 tags into 661 characters, written in English and paced at 220–300 BPM.
Similar styles
- Death Thrash1990s · 180–230 BPM
- Pornogrind2000s · 150–260 BPM
- New York Death Metal1990s · 130–220 BPM
- Symphonic Black Metal1990s · 160–240 BPM
- Atmospheric black metal1990s · 150–220 BPM
- Old-School Black Metal1990s · 180–260 BPM
- Old-School Death Metal1990s · 180–260 BPM
- Florida Death Metal1990s · 180–240 BPM