Style recipe for Suno v5

Bulerias

Flamenco bulerias from the 1970s: flamenco guitar, rapid palmas, cajon, playful and defiant in feel. A name-free Suno recipe that reproduces the signature sound without tripping the artist-name filter.

History

Bulerías grew up among the Calé Roma of Jerez in the 19th century, first as a fast, upbeat ending tacked onto soleares or alegrías, and became one of the most popular and dramatic flamenco forms, the one that often closes a flamenco gathering. The name is traced to burlar, to mock, or to bullería, racket and shouting. The compás runs in twelve beats, heard as a bar of 6/8 followed by a bar of 3/4, and a performance always starts on beat twelve so the accent lands first. Tempo sits around 195 to 240 beats per minute, usually in A Phrygian with a raised third, the guitar rocking between A and B flat and marking the accents with golpes. No other flamenco style leaves as much room to improvise, and dancers need speed, total command of rhythm and strong feet for tapping with toe, heel and ball. Sung, it takes three or four eight-syllable lines. La Niña de los Peines and La Paquera de Jerez sang it; after 1975 came Camarón de la Isla and José Mercé, Paco de Lucía and Tomatito are among its guitarists, and jazz-minded players bring in wider chords.

The recipe

Flamenco bulerias, 1970s, playful, defia…

Under the hood: 38 tags, 682 characters, 180–220 BPM, mixed vocal.

Artists in this style

• La Paquera de Jerez
• Terremoto de Jerez

Similar styles

• Flamenco1950s · 58–78 BPM
• Flamenco Puro1960s · 90–130 BPM
• Fandango1960s · 90–120 BPM
• Soleares1950s · 60–90 BPM
• Enka1970s · 60–90 BPM
• Afrobeat1970s · 100–120 BPM
• Gome Highlife1970s · 90–120 BPM
• Nuevo Flamenco1990s · 95–125 BPM