Style recipe for Suno v5
Singeli
Singeli fast bass from the 2010s: rapid taarab samples, warped melody loop, chopped vocal stab, aggressive and raw in feel. A name-free Suno recipe that reproduces the signature sound without tripping the artist-name filter.
History
Singeli comes from Dar es Salaam, born in the 2000s among the Zaramo of the Tandale area, where women threw all-night parties and danced to cassettes of taarab. As the parties grew, MCs were invited to perform over the tapes; Msaga Sumu was one of them and counts among the genre's founders. The result speeds taarab and other Tanzanian styles up to as much as 300 beats per minute, with glitchy electronics and rapid-fire Swahili: male MCs tend to rap fast, female MCs usually sing. Early singeli played at weddings, where producers with laptops came cheaper than live bands. Taarab musicians disliked being sampled, and after an informal truce producers turned to Congolese soukous and afro-house and built their own beats in Cubase and FruityLoops. Sisso opened his studio in Mburahati in 2013, and the Ugandan label Nyege Nyege found him almost by accident: its co-founder searched Dar es Salaam for two days without luck, then got into a taxi driven by Sisso's close friend. The 2017 cassette Sounds of Sisso took the genre abroad, on to Unsound in Kraków and CTM in Berlin. In 2019 MCZO and Duke were refused entry to the United States for a New York festival.
The recipe
Opening the recipe…
Tag breakdown
Every descriptor in this style, listed one at a time.
| # | Tag |
|---|---|
| 1 | Singeli fast bass |
| 2 | 2010s |
| 3 | aggressive |
| 4 | raw |
| 5 | euphoric |
| 6 | rapid taarab samples |
| 7 | warped melody loop |
| 8 | chopped vocal stab |
| 9 | distorted bass |
| 10 | frantic hi hats |
| 11 | clattering snare rolls |
| 12 | whistle sample |
| 13 | tight sample looping |
| 14 | keyboard riff repeats |
| 15 | male lead vocal |
| 16 | hoarse and shouted |
| 17 | mid high |
| 18 | street hype mc |
| 19 | rapid rap chants |
| 20 | hyped crowd shouts |
| 21 | call and response |
| 22 | breakneck tempo |
| 23 | raw laptop editing |
| 24 | clipped loud master |
| 25 | mono leaning mix |
| 26 | brittle clipped digital |
| 27 | shrill sample buzz |
| 28 | flat close mono |
| 29 | vocal jammed front |
| 30 | frantic double time |
| 31 | loop churns relentlessly |
| 32 | loop starts instantly |
| 33 | vocal rides throughout |
| 34 | stops dead cold |
| 35 | warm characterful mix |
| 36 | 240 BPM |
| 37 | for the dancefloor |
The prompt behind this style packs 37 tags into 672 characters, written in English and paced at 180–300 BPM.