Style recipe for Suno v5

Min'yo

Japanese min-yo folk from the 1960s: shamisen, taiko drum, shakuhachi flute, raw and nostalgic in feel. A name-free Suno recipe that reproduces the signature sound without tripping the artist-name filter.

History

Min'yō is the old village song of Japan: work songs for particular trades and tasks, dance tunes, pieces for religious rites, with every region keeping its own favourites. Most work songs were first sung unaccompanied, solo or by a group; during the Edo period shamisen, shakuhachi and shinobue were added, and drums came in when the songs served dances and ceremonies. Some of those accompaniments broke away into genres of their own, Tsugaru-jamisen above all. The name is younger than the music. Min'yō was taken up as a calque of the German Volkslied after the Meiji Restoration, and most of the people who sang these songs simply called them uta. In the 1920s a movement of "new folk songs" wrote pieces to order for city authorities, such as Shizuoka's "Chakkiri-bushi" of 1927. The twentieth century split the genre in two: virtuoso stage min'yō taught by professional teachers who grant licences to their best students, and hundreds of preservation societies, most guarding a single local song. It has little contact with fōku songu, the guitar songs in the vein of Bob Dylan and Peter, Paul and Mary. Fans still repeat that folk song is the heart's home town.

The recipe

Japanese min-yo folk, 1960s, raw, nostal…

Built from 38 tags across 687 characters, this 1960s style runs at 80–120 BPM with a male vocal delivery.

Similar styles

• Flamenco Puro1960s · 90–130 BPM
• Fado Vadio1960s · 58–82 BPM
• Kecak1930s · 90–130 BPM
• Gnawa1970s · 90–120 BPM
• Caporales1980s · 95–120 BPM
• Nuevo Flamenco1990s · 95–125 BPM
• Taarab1960s · 80–100 BPM
• Hindustani Classical1960s · 50–90 BPM