Style recipe for Suno v5

Dub Poetry

Dub poetry from the 1980s: heavy bass, one drop drums, sparse guitar, defiant and intimate in feel. A name-free Suno recipe that reproduces the signature sound without tripping the artist-name filter.

History

Dub poetry grew out of dub music in Kingston, Jamaica, in the 1970s and took root in London and Toronto, cities with large Caribbean communities. Linton Kwesi Johnson coined the term in 1976, and Oku Onuora spread it. The poet speaks over reggae rhythms of the kind first found on the "version" side of a vinyl record, but unlike the dancehall deejay's improvised toasting, a dub poem is written in advance. On stage the poet usually works with a band playing music composed for each poem, though many perform unaccompanied, in chanted speech with hard rhythmic accents and dramatic gestures, sometimes dubbing echo and reverb effects into a live reading and pulling the crowd in with call-and-response. The subject is mostly politics and social justice, with none of the dancehall's bragging. Johnson's Dread Beat an' Blood, released in the UK in 1978, was the breakthrough; Onuora's Reflection in Red in 1979 was the first Jamaican dub-poetry recording, followed in 1983 by Lillian Allen's Revolutionary Tea Party and Benjamin Zephaniah's Rasta. Toronto remains one of the main centres of dub poets, and Zephaniah, who also wrote novels, turned down an OBE in 2003.

The recipe

Dub poetry, 1980s, defiant, intimate, ra…

The prompt behind this style packs 38 tags into 619 characters, written in English and paced at 65–85 BPM.

Similar styles

• Dub1970s · 65–85 BPM
• Rub-a-Dub1980s · 80–100 BPM
• Early Dancehall1980s · 85–100 BPM
• Lovers Rock1980s · 70–90 BPM
• Island Reggae2000s · 72–90 BPM
• Deep Dub1990s · 60–80 BPM
• Seggae1980s · 95–115 BPM
• Jazz Poetry1950s · 80–130 BPM