Style recipe for Suno v5

Ars Subtilior

Late medieval polyphony from the 1370s: medieval harp, vielle, recorder, hypnotic and spacious in feel. A name-free Suno recipe that reproduces the signature sound without tripping the artist-name filter.

History

Ars subtilior, Latin for "the subtler art", names the most intricate French-centered music of the late fourteenth century, written after the ars nova with rhythms and notation of extreme complexity. Musicologist Ursula Günther coined the term in 1960 to avoid the sneer in older labels like "mannered notation". The music lived at courts in Paris, in Aragon and Castile, at the papal court of Avignon during the Great Schism, in Italy and as far east as the court of King Janus of Cyprus. It is almost all secular song in the fixed French forms of ballade, rondeau and virelai, about love, war and chivalry, probably sung for a small circle of connoisseurs, and its syncopations, shifting meters and chromatic harmony still demand strict discipline from modern ensembles. The scores themselves could be art objects: Baude Cordier's canon Tout par compas is notated on a circular staff, and Jacob Senleches's La Harpe de melodie is written in the shape of a harp. Solage's rondeau Fumeux fume belongs to a group of songs about smoking. The Chantilly Codex is the main source. Richard Hoppin wrote that music did not reach such rhythmic subtlety again until the twentieth century.

The recipe

Late medieval polyphony, 1370s, hypnotic…

38 tags and 717 characters go into this recipe, prompted in English and shaped by the 1370s.

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