Style recipe for Suno v5
Trip-Hop
Trip hop from the 1990s: crate dug breakbeat, sampler chopped drums, wobbling organ sample, nostalgic and hypnotic in feel. A name-free Suno recipe that reproduces the signature sound without tripping the artist-name filter.
History
Trip hop came out of Bristol in the late 1980s and early 1990s, where a scene raised on Jamaican dub met hip-hop. Sound systems like the Wild Bunch played slow, heavy, down-tempo beats, and when that crew signed a record deal it became Massive Attack, whose 1991 album Blue Lines, with the single Unfinished Sympathy, was the genre's first big statement. The style rests on slowed breakbeats, deep bass, samples from jazz, soul and old film soundtracks, and a melancholy mood; Rhodes piano, horns, even theremin and Mellotron turn up, and the vocals are often female. The name reached print in Mixmag in June 1994, when Andy Pemberton used it for DJ Shadow's 1993 single In/Flux and similar tracks on the Mo' Wax label. That year Portishead released Dummy, with Beth Gibbons' fragile voice over scratchy jazz samples, and it won the Mercury Prize in 1995, the year Tricky put out Maxinquaye. Bristol never loved the label: Geoff Barrow called the whole trip-hop tag nonsense cooked up in London. Pop borrowed the sound, Björk's 1997 album Homogenic has been called a peak of the genre, and later acts such as Morcheeba and Sneaker Pimps carried it on.
The recipe
Opening the recipe…
Tag breakdown
Every descriptor in this style, listed one at a time.
| # | Tag |
|---|---|
| 1 | Trip hop |
| 2 | 1990s |
| 3 | nostalgic |
| 4 | hypnotic |
| 5 | melancholic |
| 6 | crate dug breakbeat |
| 7 | sampler chopped drums |
| 8 | wobbling organ sample |
| 9 | tape replay flute |
| 10 | vinyl scratch stabs |
| 11 | dub heavy bassline |
| 12 | muted trumpet sample |
| 13 | looped bar cycling |
| 14 | scratch punctuation fills |
| 15 | instrumental |
| 16 | no vocals |
| 17 | dusty sample grain |
| 18 | low pass filtering |
| 19 | tape hiss bed |
| 20 | dub delay throws |
| 21 | layered loop haze |
| 22 | drums sit forward |
| 23 | deep plate wash |
| 24 | echoing delay trails |
| 25 | dragging head nod |
| 26 | swung break shuffle |
| 27 | filter sweep intro |
| 28 | drop to bassline |
| 29 | loop decays out |
| 30 | warm characterful mix |
| 31 | 80 BPM |
| 32 | for chill |
This style is assembled from 32 tags (557 characters total), built for 66–94 BPM with instrumental vocals.