Style recipe for Suno v5
Blues
Chicago electric blues from the 1970s: fluttering finger vibrato, bent single notes, string section pads, melancholic and warm in feel. A name-free Suno recipe that reproduces the signature sound without tripping the artist-name filter.
History
The blues grew among African Americans in the Deep South around the 1860s, out of spirituals, work songs, field hollers, shouts and simple rhymed ballads, and several of its devices, from call and response to blue notes, reach back to Africa. Its grammar is compact: the twelve-bar progression, the blues scale with flattened thirds, fifths and sevenths, a shuffle or walking bass, and the AAB verse, in which a line is sung, repeated and then answered by a longer one. Early songs told of floods, sharecropping, the boll weevil and lost love. The name comes from blue devils, an old phrase for melancholy, and in 1912 Hart Wand's Dallas Blues became the first copyrighted blues composition. Country, Delta and Piedmont blues came first, Robert Johnson recorded Cross Road Blues, and World War II marked the turn to electric urban styles such as Chicago blues. Other names filed under the style include Muddy Waters, Howlin' Wolf and B.B. King. The form runs through jazz, rhythm and blues and rock and roll, and in the 1960s it gave rise to blues rock.
The recipe
Opening the recipe…
Tag breakdown
Every descriptor in this style, listed one at a time.
| # | Tag |
|---|---|
| 1 | Chicago electric blues |
| 2 | 1970s |
| 3 | melancholic |
| 4 | warm |
| 5 | nostalgic |
| 6 | fluttering finger vibrato |
| 7 | bent single notes |
| 8 | string section pads |
| 9 | brass section stabs |
| 10 | electric organ cushion |
| 11 | walking electric bass |
| 12 | shuffle kit backbeat |
| 13 | single note lead |
| 14 | call and response |
| 15 | male lead vocal |
| 16 | rich and husky |
| 17 | high chest |
| 18 | pleading preacher |
| 19 | melismatic pleading |
| 20 | shouted call lines |
| 21 | held vowel bends |
| 22 | valve amp warmth |
| 23 | live band takes |
| 24 | plate reverb sheen |
| 25 | vocal forward mix |
| 26 | guitar answers voice |
| 27 | horns cushion behind |
| 28 | club stage ambience |
| 29 | medium plate tail |
| 30 | slow shuffle swing |
| 31 | behind beat drag |
| 32 | stinging opening lick |
| 33 | horns swell chorus |
| 34 | hushed last chorus |
| 35 | polished professional master |
| 36 | wide dimensional stereo |
| 37 | 75 BPM |
| 38 | for romance |
Under the hood: 38 tags, 711 characters, 58–92 BPM, male vocal.
Artists in this style
- Led Zeppelin
- Jimi Hendrix
- Black Sabbath
- Eric Clapton
- Janis Joplin
- B.B. King
- Muddy Waters
- Hozier
- John Lee Hooker
- The White Stripes
- Rag'n'Bone Man
- The Black Keys
- Carin León
- John Mayer
- H.E.R.
- Whitesnake
- Cage the Elephant
- Buddy Guy
- Howlin' Wolf
- PJ Harvey
- Robert Johnson
- Cream
- Asaf Avidan
- Jethro Tull
- T-Bone Walker
- Albert King
- Canned Heat
- Zucchero
- Little Walter
- Seasick Steve
- Cinderella
- The Allman Brothers Band
- Patricia Kaas
- Ali Farka Toure
- Jimmy Reed
- Elmore James
- Gary Clark Jr.
- Steve Miller Band
- Scarface
- Freddie King
- Bessie Smith
- Otis Rush
- Tinariwen
- Willie Dixon
- Yazoo
- Big Mama Thornton
- Clutch
- Bonnie Raitt
- Lead Belly
- Чайф
- Dr. John
- R. L. Burnside
- Great White
- Screamin' Jay Hawkins
- Abbey Lincoln
- Samantha Fish
- Mississippi Fred McDowell
- Joe Williams
- Smiley Lewis
- Bukka White
- Professor Longhair
- Blind Willie McTell
- Dave Van Ronk
- Charles Brown
- Pata Negra
- Tampa Red
- B'z
- Memphis Jug Band
- Pee Wee Crayton
- Cannon's Jug Stompers
- G. Love and Special Sauce
Substyles
- Rhythm and Blues1950s · 100–140 BPM
- Blues Rock1990s · 72–104 BPM
- Delta Blues1930s · 60–90 BPM
- Chicago Blues1950s · 80–120 BPM
- Jump Blues1940s · 130–170 BPM
- Electric Blues1950s · 80–125 BPM
- Piedmont Blues1930s · 90–120 BPM
- Country Blues1920s · 70–100 BPM
- British Blues1960s · 90–130 BPM
- Hill Country Blues1960s · 90–120 BPM
- Punk Blues1990s · 110–160 BPM
- Talking Blues1930s · 85–120 BPM